Download The Blue Black Hussar (2013 UK) - Lang: English (BRRip MKV 400p 720p 1080p)

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Film description:

Adam Ant has lost the warpaint but this intriguing documentary finds his dandyish, swashbuckling nature intact.

Information about the film:

Original Title: The Blue Black Hussar
Country, Channel: UK
Release Date: 2013
Genres: Documentary, Musical
Creator: Jack Bond
Cast: Adam Ant, Jack Bond, Katherine d'Hubert
Runtime: 100min
Language: English
Quality: BRRip MKV 400p 720p 1080p

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FHD 1080p

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The release added to the format 720p! Formats 480p and 1080p (if any) will be added at the request of users!

Scrinshot:

Film Trailer:

Date post: 2016-01-29
Category: DVD

Tags: Documentary, Musical, Jack Bond, Adam Ant, Katherine d'Hubert

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Author: Soap
Group: Administrators

1
29 октября 2016 01:31

'Blueblack Hussar' follows Ant during his obsessively driven comeback of the early 2010s. Strutting the streets of London in his Lord Nelson tricorn hat, like the time-travelling veteran of some early nineteenth century war, Ant has battled mental illness, sectioning and public acrimony. Many who casually followed Ant on UK television may have recalled a greying, t-shirt-and-suit sporting fellow who seemed more "Manager of Deutschebank" than "Wild King of Deutschegirls". Ant's attempts to appear as a wine-bar crooner, inoffensively and uninterestingly attired, drove his fans away like vampires from garlic.

Maybe it was 'Pirates of the Caribbean' and a previous decade that had seen history become cool in the movies. 'Plunkett and Maclean' and 'Dear Wendy' made anachronistic swashbuckling fashionable and it surely must have been a transfusion of Johnny Depp's "rock star pirate" Jack Sparrow that reminded Ant why he had been loved. Kids loved his adventurous persona, teenagers kindled excitement and all meanings of romance from his "gone native" Prince Charming.

Bringing with him a carnival retinue of burlesque dancers, Gen-X musicians, retaining two drummers and, with the help of kohl and dye, a still handsome older version of his 80s pinup self, Ant struck up a comeback tour that would not have been out of place in the campaign of a regency general. Ant is followed from London to Paris and back as he marshalls his circus, primal screams in the faces of a 100 Club audience, meets idol Charlotte Rampling - an ex partner of director Jack Bond - to have her guest on a cover album. 'Spinal Tap'-esque interviews with interloping "hip" radio stations and media show Ant as the old hand he really is, toying with, intimidating but ultimately aiding his fixy-bike riding interrogators.

Jack Bond, his face a graceful, gaunt mask of handsomeness, peeps in and out of his film like both a curious child and avuncular companion to the walking Terry Gilliam movie Adam Ant has become. Bond famously directed documentary of Salvador Dali and Olivier and Ant fits this canon. Unlike Bowie or Madonna - or more especially, Michael Jackson, who stole Ant's look for one tour - Ant has embraced his eccentricity. He may possibly be open to accusation of hypocrisy by being one of those who commercialised punk and now looks to mine punk nostalgia and independent digital media to relaunch. Ultimately, though, Ant remains a fascinating figure, still searching for a muse, still hungry for an audience and - as a camera-skimmed wall collage hints - is eternally, one-sidedly warring with the last figure he believed robbed him, Johnny Depp.

Here's the problem with "The Blue Black Hussar" in a nutshell. There's no story to it. Basically all the director did was go out and shoot a bunch of footage of Adam Ant without providing any context. Beyond lazy. ANYONE with access can shoot footage of anyone. The art is telling a story with it and there is literally none with "The Blue Black Hussar." He phoned it in. I've seen maybe 100 rock docs in my life and this is among the worst. There's no explanation of why he decided to come out of retirement 18 years after his last album, how the album is doing, how the tour is doing, how and who the people are around him. It's really quite astounding how Adam Ant OKed this piece of s--t. Anyone who likes this rock doc either LOVES Adam Ant or hasn't seen any other rock docs. There's no in between.

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