Download The Legend of Tarzan (2016 USA, UK, Canada) - Lang: English (WEB-DL MKV 354p 720p 1080p)

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Film description:

Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

John Clayton following his parents' death in Africa would be raised by an ape and would be known by the name Tarzan, would leave Africa and go to his parents's home in England along with woman he fell in love with and married, Jane Porter. He would be asked by Belgian King Leopold to go to Africa to see what he has done there to help the country. Initially he refuses. But an American, George Washington Williams wants him to accept so he can accompany him. He says that Leopold might be committing all sorts of atrocities to achieve his goal like slavery. He needs to prove it. Clayton agrees and his wife insists that she accompany him because she misses Africa. They go and when they arrive a man named Rom who works for Leopold attacks the village they are at and captures Tarzan and Jane. With Washington's help he escapes and sets out to rescue Jane by going across the jungle and Washington joins him despite being told that he might not make it . . .

Information about the film:

Original Title: The Legend of Tarzan
Country, Channel: USA, UK, Canada
Release Date: 2016
Genres: Action, Adventure, Drama
Creator: David Yates
Cast: Alexander Skarsgård, Rory J. Saper, Christian Stevens, Christoph Waltz, Samuel L. Jackson, Margot Robbie, Sidney Ralitsoele, Osy Ikhile, Mens-Sana Tamakloe, Antony Acheampong, Edward Apeagyei, Ashley Byam, Casper Crump, Adam Ganne, Aleksandar Mikic
Runtime: 110min
Language: English
Quality: WEB-DL MKV 354p 720p 1080p

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The.Legend.of.Tarzan.2016.720p.WEB.Eng.soaptv.me

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The release added to the format 720p! Formats 480p and 1080p (if any) will be added at the request of users!

Scrinshot:

Film Trailer:

Date post: 2016-09-24
Category: DVD

Tags: Action, Adventure, Drama, David Yates, Alexander Skarsgård, Rory J. Saper, Christian Stevens, Christoph Waltz, Samuel L. Jackson, Margot Robbie, Sidney Ralitsoele, Osy Ikhile, Mens-Sana Tamakloe, Antony Acheampong, Edward Apeagyei, Ashley Byam, Caspe

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1
24 сентября 2016 22:02

The Legend of Tarzan is a 2016 American action adventure film based on the fictional character created by Edgar Rice Burroughs. Directed by David Yates and written by Adam Cozad and Craig Brewer,[3] the film stars Alexander Skarsgård as the title character, with Samuel L. Jackson, Margot Robbie, Djimon Hounsou, Jim Broadbent, and Christoph Waltz in supporting roles. Principal photography began on June 21, 2014, at Warner Bros. Leavesden Studios in the United Kingdom, and wrapped four months later on October 3.

The film premiered at the Dolby Theatre in Los Angeles on June 29, 2016 and was theatrically released in the United States on July 1, 2016, in 2D, 3D, IMAX and IMAX 3D.[4] The film received mixed reviews and grossed $355.9 million.

As a result of the Berlin Conference, the Congo is divided up between Belgium and the United Kingdom. The Belgian government is on the verge of bankruptcy, having gone into heavy debt to build a national railway and other infrastructure. In response, King Leopold II of the Belgians decides to extract the Congo's rich mineral deposits, sending his envoy Léon Rom (Christoph Waltz) to secure the fabled diamonds of Opar. Rom's expedition is ambushed and massacred, with only Rom surviving. A tribal leader, Chief Mbonga (Djimon Hounsou), offers him the diamonds in exchange for an old enemy: Tarzan.

The man once called "Tarzan" has long since left Africa behind and settled down in London with his wife, American aristocrat Jane Porter (Margot Robbie), and has taken up both his birth name and ancestral family residence as John Clayton III, Lord Greystoke. In the eight years since returning from Africa, Lord Greystoke's story as Tarzan has become legendary among the Victorian public, although Lord Greystoke himself wishes to leave the past behind him. Through the British Prime Minister (Jim Broadbent), he is invited by King Leopold to visit Boma and report on the development of the Congo by Belgium, though Greystoke politely declines the invitation. An American envoy, George Washington Williams (Samuel L. Jackson), who recognises John from the stories of "Tarzan", privately reveals to him that he suspects the Belgians are enslaving the Congolese population, and persuades him to accept it in order to prove his suspicions. Jane is disappointed when John tells her that she cannot come, as he believes the trip to be too dangerous, remembering how both his parents died as a result of the jungle's brutality following their shipwreck there - his mother died of disease, and his father was later killed by the Mangani apes, leaving the baby John to be raised as Tarzan by his ape "mother" Kala and "brother" Akut. However, Jane reminds him that she grew up in Africa as well, and misses her home. John relents, and allows Jane to accompany him.

John, Jane and Williams take their trip to the Congo. There, the trio encounters a tribal village that knew John and Jane during their stay in the jungle. Jane explains to Williams that her husband was once considered an evil spirit by the African tribes, including that of Chief Mbonga. She recalls how, when she was younger, she and her father lived in the tribal village helping to care for local children. There she met Tarzan (made feral and physically enhanced by his life with the apes) who shielded her from a vicious ape attack, saving Jane's life but was severely injured in the process. Jane took the injured Tarzan home, nursed him back to health, and the two fell in love. That night, as the tribe sleeps, Rom and his mercenaries attack the village and kidnap John and Jane and kill the tribe's leader. They then escape to a nearby steamboat with Jane and several of the tribe's members, but Williams is able to rescue John before he can be taken to the boat.

With the aid of the tribe's warriors, John and Williams intercept a Belgian military train carrying captured slaves, providing Williams with the evidence he needs to expose King Leopold. They also discover that Rom intends to use the diamonds to pay for a massive army to subdue the Congo, and allow Belgium to mine its wealth for Leopold's benefit. As John and Williams continue onward, John encounters the adult Akut, who is now leader of the apes. Aware that Akut considers him a deserter, John prepares to fight Akut, though he soon loses. That night, as John recovers, Williams recalls the massacres of Native Americans during the Civil War, comparing his actions to be as bad as Rom's and Leopold's.

On Rom's steamboat, Jane dines with Rom, before escaping and swimming to shore. Jane stumbles into an ape nest, where she is rescued by Rom, whose men then shoot and kill many of the apes. John saves the remaining apes, reconciling with Akut, before pursuing Rom. He is cornered by Mbonga and his tribe, where it is revealed that John once killed Mbonga's only son for previously killing Kala. A defeated Mbonga tearfully accuses John of lacking honour, as his son was just a young boy when John killed him. John spares Mbonga, just as Akut and the apes arrive to subdue the tribe. Rom takes Jane and the diamonds to Boma, where he plans to take control of the army. John, Williams and Akut trigger a massive stampede of wildebeest through Boma, destroying the town and distracting the soldiers, allowing John to rescue Jane. As Rom attempts to escape by boat, Williams sinks it with a machine gun as John swims aboard. Rom incapacitates John by strangling him and then tying him by the neck to the ship's railing, before trying to escape again. John then summons crocodiles with a mating call to devour him, before escaping the destroyed vessel himself.

Williams returns to England and presents the Prime Minister with evidence exposing the slave trade in the African Congo. One year later, John and Jane, having remained in Africa and settled in Jane's father's old house, welcome their first child, as John, Lord Greystoke, returns to his rightful place among the great apes as Tarzan.

Complaint

2
24 сентября 2016 22:03

There's a moment in David Yates' excellent and emotionally resonant Legend of Tarzan when George Washington Williams', played by Samuel L. Jackson, goads civilized Tarzan, played by Alexander Skarsgard, just a little too much. Alexander Skarsgard's Tarzan erupts instantly and spectacularly with a combination of physical force and gut-chilling animal sounds and pins the American to a wall, then growls out the words: "They have my wife, and their families." In this single small moment, Yates and Skarsgard put on display Tarzan's utter commitment to the woman he loves while at the same time same evoking the internal contradiction of a man who in adulthood could pass among society as a aristocratic Englishman, but whose feral upbringing has left him with a volatile beast within that can overwhelm the civilized trappings in an instant. Unlike the filmmakers who have come before him, Yates effectively captures this duality – and in so doing delivers a film that is fresh and appealing to modern sensibilities, yet is faithful to the character of the books in ways that Hollywood has never attempted before. The result is pure pulp poetry with a beating heart. Edgar Rice Burroughs would approve of it, and 21st century audiences will, if they can be lured into theaters to see it, be intrigued and satisfied by it.

Legend of Tarzan begins eight years after Tarzan and Jane (a luminous and effective Margot Robbie) have left Africa to undertake a gentrified life in London, where Tarzan has claimed his birthright of John Clayton III, Lord Greystoke. He is drawn back to Africa at the behest of George Washington Williams (Samuel L. Jackson), a black American journalist who is based on the historical figure who led the exposure of the crimes of King Leopold II of Belgium. Williams recruits him to assist in Williams' quest to investigate the suspected crimes of King Leopold. Accompanied by Jane, the two men return to Africa where Leon Rom (Christoph Waltz) has laid a trap for Tarzan that, if successful, will result in Rom delivering Tarzan to Chief Mbonga (Djimon Hounsou), who seeks to deliver vengeance to Tarzan for killing Mbonga's son many years earlier. Mayhem and adventure ensues.

When Edgar Rice Burroughs was firing on all cylinders, his pulpy, emotionally infused adventure novels were able to strike a mythic vein that caused him to become the J.K. Rowlings of his day – the first global superstar pop culture author, translated into 57 languages, his books and characters embedded in cultures from Russia to Turkey and Japan. At the time of his death in 1950 he was the best known author on the planet with his works selling more than the combined sales of his contemporaries Hemingway, Faulkner, and Joyce. Hollywood tried more than fifty times and although the movies obviously met with success — not one of them ever captured what the grand old pulp master had created on the page. Yates is the first to do it; his Legend of Tarzan stands head and shoulders above the Tarzan movies that came before it–and regardless of how it fares in the crowded summer theatrical marketplace, it is assured of a place in cinema history as the Tarzan movie that captured the heart and spirit of Burroughs' creation.

It remains to be seen how 2016 audiences react. Has Tarzan's time on the world stage passed, or is there indeed something mythic and archetypal that can cause the character to come alive in the modern imaginations? Yates and his team have given it an extraordinary "best shot" and have created something of heart, beauty, and lasting value. The editing of the film by Mark Day is taut and streamlined –not a moment is wasted and the story drives forward with energy and commitment; Henry Braham's cinematography is cool and brooding in London, and lush and earthy in Africa; the production design by Stuart Craig is grand and evocative; and the music by Rupert Gregson Williams is both emotional and pulse-quickening. Special mention goes to screenwriters Adam Cozad and Craig Brewer who updated the Burroughs material, giving it unexpected historical gravitas, while excavating from the pages of the early Tarzan books the core values that made them unique. And the CGI wizardry is seamless, photo-realistic, and effective on all levels.

Give Legend of Tarzan a chance to work its magic on you. I don't think you'll be disappointed.

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