Download Renaissance (2006 France, UK, Luxembourg) - Lang: English (BDR MKV 720p 1.95Gb)

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Film description:

In 2054, Paris is a labyrinth where all movement is monitored and recorded. Casting a shadow over everything is the city's largest company, Avalon, which insinuates itself into every aspect of contemporary life to sell its primary export youth and beauty. In this world of stark contrasts and rigid laws the populace is kept in line and accounted for. - Paris, 2054: a dark motion-captured world of shadows and right angles. Ilona Tasuiev, a brilliant young scientist, is kidnapped, and her employer, Avalon, a major health and beauty corporation, wants her found. Karas, a jaded police captain, is assigned to find her, fast. He seeks help from her sister, Bislane, and they are soon uncovering identify theft, missing files, and hints that something back in 2006 may explain what's going on. Ilona's mentor, Avalon's vice president, a Japanese researcher, an underworld boss, and Bislane's drug connection all figure in the mix. So does an attraction between Karas and Bislane. What's behind the kidnapping? Who's the victim?

Information about the film:

Original Title: Renaissance
Country, Channel: France, UK, Luxembourg
Release Date: 2006
Genres: Animation, Action, Sci-Fi, Thriller
Creator: Christian Volckman
Cast: Daniel Craig, Catherine McCormack, Jonathan Pryce
Runtime: 105min
Language: English
Quality: BDR MKV 720p 1.95Gb

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Renaissance.2006.BDR.720.Eng.soaptv.me.mkv

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The release added to the format 720p! Formats 480p and 1080p (if any) will be added at the request of users!

Scrinshot:

Film Trailer:

Date post: 2017-03-11
Category: Cartoons

Tags: Animation, Action, Sci-Fi, Thriller, Christian Volckman, Daniel Craig, Catherine McCormack, Jonathan Pryce

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Author: Soap
Group: Administrators

1
11 марта 2017 23:46

I highly recommend this film. Set in the Bladerunner-esquire future of 2054 Paris, it is in most respect a classic film noir script: lady in peril, sister trying to find her, honest cop fighting everyone. Luckily, it avoids being stereotypical, and combines a pretty good storyline with interesting, innovative visuals. The film might remind you of Sin City in look, but it has an even sharper, even more graphic novel look that I found really compelling. Each frame, each sequence seems like it could have been pulled from the desk of a skilled graphic designer. In terms of story and artwork, you can find nods going back to the nineteen forties (or even earlier with the classic views of the Eiffel Tower and Sacre Couer) and movies like Casablanca, as well as looking toward a grim future where our destines are ruled by corporations. Make any excuse you need to see this film.

Renaissance, also known as Paris 2054: Renaissance, is a 2006 animated Tech noir science fiction film. The movie, which was co-produced in France, United Kingdom and Luxembourg, was directed by Christian Volckman. It was released on 15 March 2006 in France and 28 July 2006 in the UK by Miramax Films. In the English language version, some of the main characters are voiced by Daniel Craig, Jonathan Pryce and Ian Holm. Renaissance uses a style of motion capture animation in which almost all images are exclusively black-and-white; only occasional colour is used for detail. The film concerns a French policeman investigating the kidnapping of a scientist who may hold the key to eternal life in a futuristic and slightly dystopian Paris.

The film opens in a future Paris with scenes establishing the kidnapping of 22-year-old scientist Ilona Tasuiev, who works for the megacorporation Avalon. The focus transitions to police captain Barthélémy Karas, as he defuses a hostage situation by killing the hostage-takers. Afterwards Karas is given the job of solving the mystery surrounding Ilona's disappearance. Karas begins by contacting Dr. Jonas Muller, a former Avalon scientist familiar with her.

Muller had been working to cure progeria, a genetic condition which affected his brother. Muller worked for Avalon as their top scientist but left after he failed to find a cure and his brother died. He took up new work at a free clinic. Muller tells Karas that "No one ever leaves Avalon", throwing the corporation under suspicion. Karas visits Paul Dellenbach, one of Avalon's CEOs and questions him about Ilona. On suggesting he may have been sleeping with her, Dellenbach replies "I sleep with my wife, I sleep with my secretary, I even sleep with my sister-in-law but I would never sleep with one of my researchers".

After following a series of dead ends, control tells Karas they are tailing Illona's car through Paris. Eventually he captures the driver after a chase which ends at the Eiffel Tower. The man turns out to be a henchmen of Farfella, an Arab Muslim mobster and a childhood friend of Karas. The police captain returns the criminal to Farfella who in return gives him security footage of Illona's kidnapping; it shows her car being stolen by an incredibly old man.

Karas asks Ilona's sister, Bislane, who works for Avalon to break into the company's Archives to discover what Muller was researching. The sister discovers that a Dr. Nakata worked with Muller in a quest to find a cure for progeria. But they destroyed all evidence of their work when some of the children they were testing on started to mutate. Karas and Bislane then escape because accessing the closed file has alerted Avalon security.

Later Karas opens up to Bislane and tells her that he and Farfella were raised in the casbah where they worked with gangs. After a drug run went wrong, they ended up in a holding cell. Farfella escaped but Karas was left to the mercy of the other gang. Karas puts Bislane under false arrest to protect her from Avalon. Meanwhile, Ilona is shown confined in a cyber ball which is being controlled by the old man.

Eventually Karas tracks down Muller. He explains that he took Ilona because through her research she has discovered the secret to eternal life (as he himself did 40 years ago); but knowing what the consequences would be if Avalon acquired such knowledge, he kidnapped her. Karas tries to encourage the old scientist to hand himself in but Muller is mistakenly shot by a police marksman. Karas then deduces that the mysterious old man is Muller's younger brother: now immortal but trapped in an elderly body.

Karas calls on Farfella who hides Bislane from Avalon while also getting a fake passport for Ilona. However the mega-corporation's security are also closing in on the Parisian sewer where Ilona is being held captive. After a short battle, Karas is mortally wounded rescuing Ilona. However she refuses to take the fake passport to start a new life. Instead she tells Karas she wants immortality by giving her discovery to Avalon. Reluctantly Karas shoots her in the back as she walks back towards Avalon security. CEO Dellenbach watches all this happen through a live feed from one of his men's helmet camera.

As Karas lies mortally injured from a gunshot wound, he imagines himself apologizing to Bislane for killing her sister for which she forgives him. The film closes with Muller's little brother living as a tramp, throwing his picture of him and his brother into a burning bin. The final scene shows an advert for Avalon with an old woman becoming young again saying, "With Avalon, I know I'm beautiful and I'm going to stay that way."

I just came back from a pre-release viewing of this excellent sci-fi film noire. It's style is definitively unique and very well made. It is filmed with actual actors, but transformed into a black and white comic-strip style you have never seen before. It goes one step further than Sin City, and it does it well. It's a successful combination of french comic and movie cultures. The story and mood remind of Blade Runner, and if you liked that one you will surely like this one, too. The storyline is intelligent, never boring and has some nice little twists. This film is a must-see for any cinephile except perhaps those who absolutely don't like sci-fi or b&w.

I just went to a screening of the film during Expresion en Corto, a short film festival in Guanajuato, Mexico. One of the producers was there and gave a brief introduction. The Film rolled and from the first shot I was amazed: one long continuous shot of a futuristic Paris in glorious black and white.

I shouldn't go on with the details 'cause I think it is a film worth seeing. The sci-fi story might be found average for many... to me was really good. The action is great, the camera is free to fly everywhere and I mean everywhere. Things you would not be able to do or see is accomplished beautifully. The cast performance is good, in my opinion no one hits the wrong note.

Now, the thing that I found awesome is the animation. 3D grafics look 2D. A BW comic book brought to life. The details on the backgrounds gives more texture as if it had been done by hand (I'm sure it was but when the angles change you see the depth).

The producer at the screening talked about the hard work behind the film: 7 years! The director, she said, is brilliant, but perhaps he was quite unexperienced since he only had one short film in his CV. So, many people had true faith in them. They started their own studio from scratch and ever since they faced the challenge they brought upon them.

Don't miss it. I think you won't regret it... maybe Richard Linklater for the final look of this film is superior to his I think.

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